After agreeing that their ‘sartorial’ requirements had not yet been met in the Australian marketplace, Paul Weingarth and Ross Denzil Simon began working to re-define menswear in Australia. Paul Denz was the name they gave their creation.

Denzil and Weingarth joined to combine their creative spirits with their inner entrepreneur to create a men’s fashion label that embodied the perfect blend of the relaxed Aussie
lifestyle and classic European charisma.

Think Bondi Beach meets polo field and you will gather an understanding of the Paul Denz look.

Each piece in the Paul Denz collection was designed knowing how to flatter the physique while maintaining a masculine edge.

With quality and class in mind, ‘Paul Denz’ provides an element of affordable luxury, quality without the exuberate price tags. Proudly made in Australia, all pieces are
crafted meticulously and ardently fashioned to provide the Paul Denz man with a
superior product.

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In the lead up to the 2010 Australian Open, the first grand slam tennis tournament of the year, Lacoste has announced it will be re-releasing a limited edition of the 101 sunglasses range. 30 years after it’s original conception, the aviator style shades will no doubt reclaim its popularity and appreciation, becoming a must have item for tennis fans and fashionistas alike.

It was Rene Lacoste’s desire for the ultimate playing shirt that saw the establishment of the clothing line back in the 1930s. The French tennis star designed the 1212 polo as a way of gaining more comfort on the court, striving to find a replacement for the overly starched, long-sleeved shirts exclusive to the era. 75 years after its creation as a brand, Lacoste has continued to design luxury attire renowned for its quality and comfort. The label has successfully maintained its connection to the tennis court in obtaining unrivaled heritage in the sports fashion market and has gone on to compete with labels such as Polo Ralph Lauren as one of the superior labels for up-market mens and womenswear, showcasing it’s latest collections twice yearly at the New York Fashion Show.

Back in the 1930s it was unheard of for a sportsman to design his own outfits, especially styles as daring and unique as the 1212 polo shirt. Lacoste’s avant-garde approach as a pioneer pathed the way for a tradition in the sport for tennis players to release their own brands and labels. British tennis player Fred Perry was one of the first to follow on from Rene Lacoste with his label becoming an alternative in tennis wear during the 1940s and 1950s. Today, Roger Federer, among others, has designed a signature brand in partnership with Nike with his initials emblazoned on his shirts, blazers and hats. However, as opposed to Lacoste’s desire for a more comfortable playing shirt, today’s stars merely see their designing input as a lucrative form of propaganda.

The Lacoste brand is famed for its iconic logo of the green crocodile. The 1212 polo shirt was the first occurrence of a logo being adorned to the outside of an item of clothing, again proving its heritage and importance as a label in sports fashion history. The creation of the logo is said to have stemmed from a bet made between Rene Lacoste and his Davis Cup captain. If Lacoste were to win his next match then his captain would buy him an alligator suitcase. One American journalist coined Lacoste’s nickname, writing, “he didn’t win the bag, but he fought like an alligator”. Soon the legend of the alligator became a crocodile logo embroidered on the breast pocket of the Frenchman’s blazers. The icon was established.

It wasn’t until 1980 that Lacoste began designing and manufacturing lifestyle products such as footwear and eyewear. The inaugural pair of ‘La Lunette Lacoste’ had to match the unique style and iconic stature founded by the 1212 polo shirt. In keeping with the label’s sporty elegance the ‘101’ range of sunglasses were fashioned.
The distinguishing factor between the 101 range and other aviator-style sunglasses is the inclusion of the striking green enamel inlayed on the dual bar bridge of the glasses. Design director of Lacoste eyewear, Christophe Pillet, describes this special feature as “a perfect representation of the two worlds of Lacoste: sport and elegance.” Pillet goes on to talk about the importance of focusing on the iconic products of the brand, such as the 1212 polo. “When we found the 101 sunglasses range in the archives we decided to reproduce them immediately.” The only altering made to the original designs is the upgrade in quality of the iconic logo on the temples and the packaging. The sunglasses now come in a more modern green and white box, which is meant to invoke the spirit of the line’s tennis-wear origins. Limited to only a thousand pairs of the range being recreated, each individual pair will be marked on the inside of the temple with a serial number denoting its place in the series of 1000.

The idea of restoring and modernizing tenniswear echoes the state of play in the game itself. The golden age of tennis is continuously recreated throughout each era with ever more competitive and determined players. Each decade, it seems, the rulebooks are rewritten. This cyclic method is healthy and allows for previously impossible feats to be smashed both on and off court. There will undoubtedly be heavy competition for the limited edition sunglasses with only 1000 pairs being made. Hopefully the contention to obtain a pair of the prized shades will match the contention for glory on the courts in Melbourne this summer!

BLK1 Article: JULIAN CHAUNDY

Images and Article: © BLK1 2008-2010. All Rights Reserved.

Australian designer Eugene Leung has always had a quirky attraction to the dark, the strange and the gothic. And this obsession is evident in his cult fashion brand label INJURY. Pushing the envelope of high end street fashion, INJURY is a freak show. A city of enigma.

After studying architecture at the University of New South Wales, Leung founded INJURY in 2004. The website theinjury.com.au says that the label began as a creative collective of individuals from various non-fashion backgrounds and their aim was to create their own flavour of different clothing. As a result, the label is moody and atmospheric yet meticulously crafted into ready to wear pieces. Leung’s inspirations come from horror movies, grotesque themes and surreal imagery. The clothes are designed to reflect characters and icons, and this season Leung has channelled raw Mother Nature in his Spring-Summer 09/10 collection titled Aeolian.

Since last year, INJURY has taken a more modernist Bauhaus inspired approach. The Aeolian collection explores print which is a first for Leung. But don’t expect the traditional stripes, checks, 60’s retro or dainty flowers. Leung infuses dark and muted tones with photo prints of rocks, mould, hair, waves, beach grass and even the Moon. The earthy prints take you to the dark side of nature. Raw, edgy and alive.

Leung’s training as an architect is evident in the careful structuring of his garments. His jackets and vests including a multi panelled jacket and a low cut blazer are tightly structured statement pieces. The jackets along with shorts, waistcoats, shirts and cardigans round out the edgy Aeolian collection. The classy male and female collections are surely to get you noticed. And with stockists in Hong Kong, Japan, New Zealand and Australia, INJURY is world class high end street fashion which looks set to become a household name this summer.

BLK1 Article: KATHERINE DUMONT 

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The London Showrooms offers a unique experience for emerging British fashion designers to broadcast their collections to the International market. The Showrooms occupy the first week of October and are located in arguably London’s biggest rival in the fashion Industry, Paris. The event is a strategic way for the British Fashion Council to experiment with and support the rookie designers and maintain the worldwide trade stronghold.

After the recent successes of The London Fashion Week spring/summer ‘10 in September, The London showrooms is the next big event in the British fashion calender.

Whilst the Fashion Week displays the latest masterpieces of the royalty of British fashion, the Showrooms allows an opportunity to witness up and coming designers trying to break into the tough field of fashion design. It is these designers at the Showrooms who will someday hope to earn the right to display their works at the Fashion Week. These designers are the future of British Fashion.

The British Fashion Council, a non-profit trade group for British designers, established the London Showrooms out of a necessity to continue the popularity and prosperity of the biggest names in British fashion design. Designers such as House of Holland and Todd Lynn will one day, with the support of the fashion council, maintain and uphold the high standards set by Britain’s present design aristocracy.

The likes of Vivienne Westwood and Burberry of course spring to mind after another set of outstanding collections at the Fashion Week last month.

House of Holland, by designer Henry Holland, is an interesting new talent on the scene. As well as being a close friend to model Agyness Deyn, Holland has gained exposure from his collection of 80’s, bold print T-shirts incorporating festive, rhyming catchphrases, such as ‘Get your freak on, Giles Deacon’ and ‘I’ll tell you who’s boss, Kate Moss’.

House of Holland’s collection for the spring/summer season presents a combination of his boho designs with aspects of punk intertwined with a modern sophistication and preppy nature. This collaboration is striking and alluring and has already gained the designer an exclusive and unique style.

One example of this collection is the definitive male preppy look (tight formal shorts and shirt with sweater tied loosely around the neck) updated with vibrant colour and daringly short, upturned sleeves. Another example of the provocative collection is the seemingly standard business-woman outfit (tight skirt with well fitted, double breasted blazer) in a warm natural tone complete with a contrasting, uneven polka-square design. The thin lapels and pulled up sleeves again express Holland’s affinity with the 80’s era.

The latest collection by Canadian-born designer Erdem showcased an appreciation for the chic and hippy look. His summery dresses and playsuits, both formal and informal, are assembled with very detailed floral prints. The enchanting designs paired up with the seductive shapes and silhouettes give Erdem a sophisticated and flirtatious style, perfect for the sunny seasons.

The latest collection from designer Todd Lynn differs a great deal from the previous designers somewhat. His designs for woman express a fearless nature with a heart for rock’n'roll. There is also a strong feeling of heavenly and otherworldly inspirations.

His use of plain colours; whites and blacks, with extra detailing in both make up and clothing design suggests a blending of pure and unpure, good and evil or angelic vs demonic. One particular striking design is the tight silhouetted white suit with robe-like tight sarong around the waist, reminiscent of a toga, coupled with devilish, black horned shoulder pads and over exaggerated black eye shadow. Again, a very unique style has been formed here.

The main aim of the London Showrooms is to offer international audiences a chance to view the latest collections by up and coming designers from Britain and to strengthen trade and commerce between countries. The British Fashion Council seek to tutor the trainee designers and offer them as much aid as possible to break through into the evermore challenging field of fashion design.

However, most importantly for all concerned, the London Showrooms is a way of making a statement to the international market that Britain holds the highest competition and is seeking challengers.

BLK1 Article: JULIAN CHAUNDY

Images and Article: © BLK1 2008-2009. All Rights Reserved.

Old styles and even fabrics are experiencing a re-birth and seeing themselves recycled, transformed and re-consumed within the global fashion system.

Second-hand boutiques are welcoming an influx of customers – pillaging the clothes racks in search of the perfect pre-loved item which catches their eye and migrates to their wardrobe.

Whilst the industry’s nostalgia for bygone styles is nothing overly new, consumers’ increasing obsession with recycled clothing is proving that the vintage trend in itself is timeless, boundless and possibly cost-less. It is one which may have you sifting through the depths of your mother’s wardrobe and possibly even grandma’s dress-up box.

There is little doubt that the recession has created a new frontier for fashion, where cheap chic rules and consumers turn not only to vintage-stocked boutiques, but also to their local Vinnies store which, in better times, might have been considered a wardrobe faux pas.

Whilst consumers’ hip-pockets have guided them to the discounted doorsteps of recycled boutiques, celebs and socialite vintage lovers and even the major fashion houses are helping to keep them there by following and contributing to the trend in itself.

Blouson dresses, lace adornments, sequins, polka dots, plunging lines, ‘le smoking’ tuxedos featured in all their glory for the coming seasons, are encompassing a reflective feel for the past.

All, which will no doubt be quickly adopted by the likes of vintage fashion chameleons, Kate Moss, Zoey Deschanel, Daisy Lowe, Chloe Sevigny and Co – their images splashed all over the media and their look imitated by doting female consumers, who, in turn, will take to raiding op-shops, flea markets and other such treasure troves in search of a unique, pre-loved item which mimics the current time-warped trend.

Whilst there are those who possess a natural flair for ‘thrifting,’ there also exists a vast number of people who want to wear vintage, yet lack the confidence and skills to quickly, easily and successfully source out and adopt recycled pieces. Enter: op-shop tours – a most genius invention, which, as of late, is striking with immense success.

For fellow Melbournites, newly established company, Melbourne Op Shop Tours, is the key to unlocking the door to the wonderful world of recycled fashion. Brainchild of Melbourne University students, Richmond Glasgow, Jessica Rae and Jenny Jiang, Melbourne Op Shop Tours which initially started as a university project, has now catapulted into a booming business which enables op-shop ‘virgins’ to learn the tricks of the trade, become true connoisseurs of vintage shopping and most importantly, how to learn to style the old with the new for a look that channels unique, vintage modernity. According to Mr Glasgow, this budding company prides itself on providing a professional and fun op shop experience, so that customers can get the most out of their time. “We reveal where the good op shops are, and help our customers find what they arelooking for. Our tour groups are small and intimate so that tour guides can give tailored advice and attention to each participant.”

It is becoming clear that the current vogue for vintage is presently overwhelming both in the magazines and in the streets. The number of consumers embarking on quests for individuality and unique expression through the wearing of garments reminiscent of decades pastlooks to be increasing. And as fashion finds itself continually winding back the clock, it seems that destination op-shop is on the agenda for all.

For more information on Melbourne Op Shop Tours, visit www.melbourneopshoptours.com.au.

BLK1 Article: JESSICA LENNI

Images and Article: © BLK1 2008-2009. All Rights Reserved. 

These catwalk shows formed the highlights of the 25th Annual Cibeles Madrid Fashion Week.

The first colourful display was from Juanjo Oliver, and was presented on day three. Juanjo Oliver’s collection had an 80s feel and featured metallics and tribal patterns, along with full balloon skirted minidresses in Hawaiian summer fabrics. Most outstanding was a jungle green silk satin one shouldered maxi dress so expertly designed to give the illusion of a loose garment yet it was extremely feminine and did not engulf the model, as so many maxi dresses do. The collection was bright, fun and very feminine with mini dresses, elegant evening maxis and fabric additions much like capes to add texture and a gemotric edge.

Amaya Arzuaga followed Juanjo Oliver and could be called the most innovative collection of the week by far. Arzuaga used mostly chiffon and light silks in greys, black and fluro pink and had crimped and manipulated the fabric, giving the same effect as a home made fan made from paper. Each look was incredibly inspired and unique mostly due to the use of this texturing technique. Other features included sheer fabrics, additive pieces of textured fabrics to minidresses, skirts and eveningwear. A number of the skirts employed the use of light, malleable wire in the skirt to achieve a unique waved hemline, similar to some of the rave clothing found in londons Camden market. The elegance achieved while adopting a completely unique style definitely made this collection the most exceptional of the week.

Lemoniez was a mature, compelling, and elegant collection with a nineties edge that was displayed on day four. Immediately the first look embodied the feel of the collection, with a similar style to the much loved beige and white dress worn by Julia Roberts at the polo match in Pretty Woman-shoulder padded, knee length with an understated elegance. An indigo grecian maxi evening dress of midweight silk, cinched with a thin black waist belt with a plunging neck line was the key defining look of Lemoniez this year. Key trends included shoulder pads, which made a comeback last year, along with the subdued colours of beige, browns, and a range of purples from aubergine to indigo.

The popular designer, Ana Locking, did not disappoint, presenting a diverse collection that was fun, colourful and playful yet mature. Featuring Hawaiian prints, raw silks and leathers the clothes were wearable but not dull.  A mens leather jacket with slightly puffed sleeves and elbow detail was an outstanding piece of the collection.

“No need to pretend, just be”-the words chosen by Alma Aguilar to embody the Bollywood inspired collection. An incredibly ornate backdrop transported the attendees to an Indian mansion, yet the clothing maintained a Spanish feel using bright colours and frill detailing. Floaty chiffons and silks gave the collection an incredibly feminine feel, with the short summer dresses with full chiffon skirts being the most wearable and remarkable pieces of the collection. The laid back and bohemian feel along with the striking Bollywood accessories and of course beautiful clothes made this one of the most endearing shows of the week.

Elio Bernhayer is known as one of the great masters of Spanish fashion, this year marked Bernhayers 80th birthday, celebrated with an emotional tribute at the conclusion of the show. Section one features the summer collection featuring fresh, timeless nautical pieces in both men and womens clothing. The tribute features more than ten famous Spanish ex models, who each took to the catwalk in stunning Bernhayer evening gowns. The emotional designer joined the models at the end of the tribute to a resounding applause, showing just how loved and respected this great master is in both the world of fashion, and Spanish culture.

Sita Murt displayed a high Energy, super glam, eye catching and exciting on a gold and mirrored striped runway. Channeling a “super feminine” look, the models were finally allowed to have their hair down in loose sexy waves, with a subtle but bright smoky eye, mirroring the model look of Dolce & Gabbana shows. Sheer fabrics, metallics, white feathers and very girlie styles were in most looks. Sheer light blue harem pants with an embroidered waist band were the most innovative look, however the most eye catching was the gold and white knit minidress which made even the most sullen model look girlie, sexy, and ready to party.

Jesus del Pozo was undoubtedly the most elegant of the collections embodying class, beauty and feminity, it is little wonder that the elegant Princess Elena of Spain was in attendance. The Princess was incredibly personable and endearing, as were the clothes. Black, cream and grey chiffons dominated the collection embellished with zips and silk chiffon additive pieces of fabric such as capes and short trains. Although the bright colours which dominate the Spanish spring/summer collections were absent, the subdued tones added to the elegance of the tailoring and craftsmanship of the pieces. The event was off site in a beautiful uptown bar, and concluded with traditional Spanish hors d’ouvres and wine, not that the incredible clothes were not sufficient to satisfy the attendees.

These designers, and every designer at Cibeles Madrid Fashion Week had a single concept in common throughout their collections: although they all had different inspirations and design ideas, they all embodied the vibrance and warmth of Madrid in every stich of their collections.

BLK1 Article: CAITLIN REID

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After

The scene was set , and the theme of travel was established for Mercedes-Benz New York Fashion Week the catwalks began doling out slices of fashion splendour.

BCBGMAXAZRIA was the first key highlight on day one at Mercedez-Benz New York Fashion Week. Flowing fabrics and summery colours were seen to be the mode of this collection. Celbrities who showed-up to see this catwalk display included: Alicia Sacramone, Amanda Bynes, Amanda Hearst, Amerie, Carly Chiakin, Derek Blasberg, Fabiola Beracasa, Gal Gadot, Genevieve Jones, Joanna Garcia, Solange Knowles, Theodora Richards and Tiffany Thorton.

Duckie Brown showed the crowd his unique range of menswear. The pastel colours were cute and the suit jackets were finely cut; when the two were combined they created a look that will be donned by all fashionable young gents this summer.

After the sun went down on day one of Mercedez-Benz New York Fashion week, the temperater hotted up with a sizzling swimwear display from Rosa Cha. In the collection, white polkadot high-waists and yellow one pieces were seen prancing down the catwalk. The looks stayed-true to the popular swimwear trends for 2009: flattering shapes, high-cut bottoms and shapely tops. The coloured fabric was the star of the Rosa Cha catwalk show, the way red and yellow sat together to clash across a one-piece made for a stunning look.

Friday September 11th was day-two of Mercedez-Benz New York Fashion Week. Ever since the tragedy of 2001, the words “September 11” have solemn connotations. Mercedez-Benz New York Fashion Week paid respects to this day by teaming up with My Good Deed, a prominent nonprofit group created by 9/11 family members and friends of 9/11 victims for the first-ever online auction to support this cause. The online charity auction featured Spring 2010 collection items donated from many top designers including Donna Karan, Tracy Reese, Carmen Marc Valvo, Max Azria, Phillip Lim, James Coviello, Milly, Vivenne Tam, and Tommy Hilfiger.

On the catwalks of day two, Charlotte Ronson delivered soft and flowing fabrics with a whimsical Spring vibe. Ronsons collection would be perfect picnic wear, as it is just the right mix of feminine softness and playsuit practicality.

Nicole Miller was the hit of the day on day two, attracting celebrities like: Lady Gaga, Kara DioGuardi, Amber Rose & Kayne West, Ciara, Amerie, Damon Dash, Katrina Bowden, Beth Ostrosky and Sarah Wynter. As usual, Nicole Miller delivered sexy designs with an out-there edge. Metalics flooded the catwalk and sequins shone. The vibe of the show, like the designs was short, sharp and sassy.

On Saturday September 12th it was day three of Mercedes-Benz New York Fashion Week.

With Katy Perry seated in the front row, Georges Chakra delivered his to-die-for ball gowns down the catwalk. Fiery reds and mystical blues were the star colours, giving every model on the catwalk a look of feminine fierceness.

Chado Ralph Rucci was also all about being bold with fashion. The dresses that were on parade were splendid in colour and up-lifing in their flappy cuts.

On Sunday September 13th, Mercedes-Benz New York Fashion Week had already been through its first half. Day four, like all the other days so far, managed to keep up the frantic and exciting fashion-week vibe.

DKNY hosted a highly-exclusive off-site launch of the collection for Spring/Summer 2010. Keeping it classic and feminine with cinched waists and bold colours, this already iconic label kept every audience member impressed.

Along The Promenade Hervé Léger by Max Azria marched his models down the catwalk to show his bold Spring/Summer 2010 collection. Hervé Léger by Max Azria is famed for accessories, and while there was some fantastic feature pieces paraded the sleek dresses stole the show.

Diane Von Furstenberg also held a catwalk parade in the Tent, with collections so beautiful they could almost be described as balletic. Every model was adorned with a dress that moved with her body so gracefully, it appeared that she was floating down the catwalk rather than walking.

Monday 14th September was day five of Mercedes-Benz New York Fashion Week.

Jill Stuart filled the stone halls of the New York Public Library with her soft flowing designs that were deliciously feminine.

Donna Karen also hosted another off-site unveiling today, again keeping true to her conservative yet boldly-coloured designs.

Back at the Tent, Gottex demonstrated how new excitement can be found in swimwear. Bright blue flames danced up the bodice of one-shouldered one piece swimwear. Following the blue, red sizzled with streaks of colourful detail along more well-fitted one pieces. There was always the addition of ever-popular black and white, only these swimwear pieces were an exciting hybrid of the traditional, conservative one-piece and the daring mono-kini.

Day six, which was Tuesday 15th September saw celebrities such as Paula Abdul, Kim Kardashian, Shenae Grimes, Kelly Rowland and Bethenny Frankel flood into the tent to see the Spring/Summer 2010 offerings from Badgley Mischka. White was the dominant colour with streaks of tribal detail feathered along the collars and hems of the dresses.

Dennis Basso also brought out some old Hollywood scensters. The golds, rainbows and red poppies were the perfect prints to show off the clear mode that was set through the show: the puffy skirt. Joan Rivers, Lorraine Bracco, Beverly Johnson, Fran Drescher, Carole Alt, Tinsley Mortimer, Kelly Bensimone and Alina Cho were all delighted with what they saw.

Narciso Rodriguez, the star designer of Mercedes-Benz New York Fashion Week also showed his wares on day six. Square defined shoulders and colours to flatter the natural female features seemed to be the motif of what Narciso Rodriguez had to show the catwalk crowd.

The second last day of Mercedes-Benz New York Fashion Week came to be on Wednesday September 16th.

Michelle Smith delighted tired crowds with her chic combinations of complimentary colours dotted on skirt and top combos.

Alexandre Herchcovitch graced the catwalks with delicate simplicity. Showing delicate white pieces aside more bolder cuts and metallic features.

Anna Sui’s Spring/Summer 2010 collection was, if not the most exciting, the most eclectic display seen at Merecedes-Benz New York Fashion Week so far. With massive shoulder pieces, panels of sequins and peacock patturned skirts the designs were all amazingly quirky and daring.

The final day of Mercedes-Benz New York Fashion Week was farewelled on Thursday September 17th.

Ralph Lauren had fashion crowds up bright and early for a 9am off site show. The designs seen here remained faithful to the sporty style and classic colours that this designer is famed for.

At the end of the final day, the final show was presented by Tommy Hilfiger. The figure hugging evening dresses appeared to be investment pieces that will never date. The colours were plain, elegant and would look perfect on a summer afternnon.

After Hilfiger’s 8pm show, the crowds demininshed and moved on the after-party celebrations all feeling inspired by what they had seen from the Spring/Summer 2010 catwalks at Mercedes-Benz New York Fashion Week.

Article: © BLK1 2008-2009. All Rights Reserved.

Mercedes-Benz Fashion Week packs the Tents at Bryant Park with over 60 designers, who will showcase their 2010 Spring Collections from September 10-17, 2009. The iconic tents at Bryant Park are metaphorically packed too, as this season’s trunk and travel theme highlights the future move of Mercedes-Benz Fashion Week to Lincoln Center and its integral role in the world-wide fashion industry.

Mercedes-Benz, title sponsor of the preeminent fashion event that draws international attention and over 100,000 visitors, features established designers including Yigal Azrouel, Chado Ralph Rucci, Badgley Mischka, Diane Von Furstenberg, 3.1 phillip lim, Michael Kors, Tommy Hilfiger and this season’s Mercedes-Benz Presents Designer, Narciso Rodriguez, who will debuted his Spring 2010 Collection on September 15.

The Bryant Park Tent lobby is the focus for showcasing the interplay between fashion and this season’s travel theme. A retrospective exhibit depicts iconic Mercedes-Benz vehicles and fashion trends from the 1940’s through 2010 that is curated by Dayle Haddon and Narciso Rodriguez, who hand-picked wardrobe samples from his past collections over two decades.

A nostalgic display pays homage to the nine generations of the E-class and the evolution of travel by automobile. Vintage luggage pieces by Karl Baisch for the 1954 Mercedes-Benz 220 Coupe, along with luxury contemporary bespoke luggage from Globetrotter and Gucci, are the centerpieces of a September 10th Trunk Show co-presented by Saks Fifth Avenue. Throughout the entire week, guests can view the bespoke luggage and send e-postcards from an interactive screen at the display.

Mercedes-Benz E-Class vehicles take center stage at Bryant Park including the 2010 E350 coupe currently in dealerships and the E63 AMG available this fall. This season, Mercedes-Benz premieres its 2010 E-Class vehicles with the E63 AMG sedan and the E350 Coupe. The ninth generation E-Class captures timeless style and sophistication. Trapezoidal shaped headlamps create a bold, avant-garde face while a muscular body is defined by several convex surfaces and taut lines including one that follows each rear wheelwell to shape the contours of the rear fenders that are reminiscent of the famous 1953 “Ponton Mercedes.” The E350 Coupe on display at Mercedes-Benz Fashion Week is a special Olivine Grey launch color, a unique and proprietary combination of olive green and grey.

Article: © BLK1 2008-2009. All Rights Reserved.

2009 is the eleventh year that the Perth Fashion Festival has run. This year, designers such as Ruth Tarvydas, Morrison and Wheels & Dollbaby.

Events included Luxe Swap My Style parties, Style Oasis fashion spaces and Popsicle On Wheels, alongside Unwrapped fashion markets.

The people of Perth were lucky enough to experience mini-manicures, shoe-shines and cupcakes and a bus transformed in to a giant wardrobe as a part of these events.

Western Australian designers had a purpose built runway erected to show there wares.

The name given to this was the Fashion Paramount, appropriately named because along with the fancy events giving VIP treatments for all, the styles displayed on the catwalk showed that Perth was able to deliver all that is expected in a glitzy fashion week.

Photographer: STEFAN GOSATTI

BLK1 Article: © BLK1 IMAGES: STEFAN GOSATTI 2008-2009. All Rights Reserved.

In a chandelier lit basement, tucked away from the blowing winds whistling through Melbourne on Saturday night, a diverse crowd gathered to get a peek at the latest collections from a selection of Asian and Australian designers.

Astro Turf lined the runway and thumping electro music saturated the room as the champagne flowed and anticipation heightened.

With Notre Dame De Paris, Soho Workshop, Thrill and Stand showcasing, the collections were sure to show a diverse range from casual street wear, cocktail and formal attire.

To celebrate Melbourne’s multiculturalism the show began with a traditional costume display. Indonesia, China, Japan, Malaysia and Vietnam were featured. A highlight being the Japanese costume of detailed silk kimonos, and Chinese Cheongsam dresses in bright spring palettes.

Notre Dame De Paris delivered feminine dresses, staying true to its desire to transcend the classiness of society. Detailed lace bodices and flowing skirts, plunging necklines and waists cinched with bow details. Flowing evening gowns in bright spring shades of cobalt blue and peach were given extra sparkle with diamante brooches and shimmers of sequins. Zebra print satins interspersed with metallic blues and woody brown chiffons.

The tailored suits that Soho Workshop are renowned for were shook up with black velvet blazers, gingham check shirts and leather hooded jackets. Slim-cut suits in grey pinstripe, and tuxedos worn with determination added to the casually corporate collection.

Hemlines were raised with Thrill’s collection, where focus was all about the pins. Tight fitting mini dresses with striped busts, off the shoulder sequin encrusted dresses and shirtdresses that skimmed the upper thigh. Slim fit Jeans were paired with lace tops and tailored vests.

Perth designer Stand stood tall with its street wear focus with a collection of graphic t-shirts in pastel colors along with tailored shirts.

Fashion was not the only thing on the agenda for the night, with a touch of hip hop thrown into the mix with a show by MUTE dance group. The energy was a perfect match to the collections and sealed the deal that Melbourne fashion week is the leader of the pack.

BLK1 Article: CAMILLA CLARK

Images and Article: © BLK1 2008-2009. All Rights Reserved.

Flawless excitement filled the air as the fashion world came together to see an awe inspiring runway show. The amazed guests swanky V.I.P’s, elite designers, eager reporters and even ‘Bryan Boy’ in his sequined jumpsuit created the perfect crowd for the very sassy show. The Melbourne Town Hall, for the third time this week, was host to Melbourne Spring Fashion Week’s 2009 – ‘Designer Series Show 3’. As the lights dimmed, the crowd fell silent for what was going to be an exquisite show inspired by the 80’s, fused with chic models and killer heels!

Arthur Galan revealed a sea of feminine, pastel colours in contrast to the monochrome and tapered suits for the lads. Loose fitting satin, silk and chiffon frocks dominated the collection with an abundance of floor-length, flowing and paisley gowns – the one exception being a leather halter dress. Peach was a stand-out colour followed by an alternative mix of tie-died floor-length dresses. This was juxtaposed with belted chiffon dresses in jewel colours of emerald and sapphire. Black belts clinching the waist were still the rage. They usually accessorised not only the dresses but also the black strapless, chiffon playsuit that ‘wowed’ the crowd with its simplicity and elegance.
Arthur Galan was impressive when the boys strutted their stuff featuring light grey and white suits with contrasted piping detail on the lapels. At times, blazers were teamed with shorts; otherwise fitted trousers were seen to be the clear winner. The bright printed shirts and ties all attributed to the general consensus that this male collection was much bolder when compared to the female designs.

Nevenka, teaming up with Loula shoes appeared to be one of the hottest combinations of the night. Nevenka mixed it up with neutral tones, warm colours, bright patterns and your classic black which left the audience in suspense as to what was going to appear next. A ruffled, bronze dress teamed with undoubtedly startling footwear – being a pair of Swarovski crystal encrusted wedges, opened what was going to be an astounding collection.

Stone coloured high-waisted trousers and high-waisted shorts were all accompanied by gorgeous peach and pink chiffon blouses. Meanwhile, the stark white high-waisted fitted trousers took the audience back to the cargo-pant days.
High-waisted, layered black and white tulip skirts danced around the hips of the models as well as the fantastic vibrant purple, patterned material adding colour to the wonderful parade. A deep purple dress, lacking any sleeves was a clear hit and so was the final ‘little black dress’. This was a must-have for all women. It was exquisite in detail and the design on the sleeves reached the elbows, embracing the scalloped look.

Nylon Flock by Nicola Finetti was filled with sexy black and random splashes of colour when you least expected it. Off-the-shoulder, short and fitted black frocks launched the range. A black high-waisted, fitted trouser coupled with a gorgeous tiny black vest, which was left open over a light-coloured plain camisole, screamed class. The short, figure-hugging little black dress, also sleeveless and featuring a zip that ran vertically down the length of the frock generated the most attention. The audience sat there amazed by its super mini appeal. A giant black vest was a substitute for a whole outfit with the classy over-sized garment thrown over a white singlet and buttoned at the bottom to give the illusion of a short mini-skirt.
Finally, asymmetric and well fitted dresses with cut out detailing on both the back and front signalled the end of the collection. The very suave and modern dresses with missing pieces from the sides and delicately cut out sections of the garment at the back were the feature points of these final outfits. Teamed with peep-toe cream or black boots which crept over the ankle and featuring zips, eloquently complemented the astonishing and wonderfully creative designs of Nicola Finetti.

Leopold was the next cab off the rank screaming bright and vibrant colours. Leopold was totally in tune with the 80’s and featured oversized double breasted jackets. Not only did the models need a pair of sunnies while strutting their stuff down the runway but so did the audience. Bright red was everywhere and was being thrown at us like never before.
Opening the show was red, fitted pants that were wrapped around a male model and teamed with a plain white t-shirt. The inverse followed with the women’s range. White and semi-pleated, high-waisted shorts were placed over deep red strapless swimwear, being pulled off as daywear. A smidgen of black was also incorporated into the show but undoubtedly Leopold’s use of bold colour was a refreshing site amongst a largely white base.

Bettina Liano was next up and revved up the already excited audience. It was definitly an interesting collection with dark denim jackets, high-waisted light-wash, skinny jeans and ¾ tulip tied pants, are still the go for this spring. Stand-outs included the classic white v necked ‘opera dress’ with a tulip skirt, pocket detailing and the black blazer with puffed sleeves which was gathered around the elbows.
Vinyl was taking a stance with it being featured in a few outfits including a funky, strapless vinyl gold dress and a deep purple, vinyl wrap playsuit teamed with a blazer. Overall it received the largest round of applause and excited the crowd for what was going to appear next.

Jack London drew the attention of the spectators to the floor. An eccentric and unusual twist of accessories engaged the audience, especially with pillar box red shoes, glasses and patterned and skinny ties. Tapered, pin-striped trousers also came out to play and the classic vest was never too far away.

Wayne Cooper closed this amazing show to the beats of the old Robert Palmer classic ‘Addicted to Love’. Glamorous chiffon filled the floor and satin party dresses in very pretty bright colours including, a strapless hot pink number, won the audience.
Off-the-shoulder dresses made a comeback. Detail was heavily featured in the centre of these dresses which ramped up the quality of design. Of course a black and basic, long and flowing gown which was shorter at the front than the back was the final Cooper piece. It left the audience breathless.

2009’s ‘Designer Series Show Three’ was a dazzling show that intrigued the audience. Brilliant bits and pieces kept them entertained throughout all of the collections. If last night was anything to go by, spring in Melbourne will be of a flirty-nature, full of colour and above all simply stunning.

BLK1 ARTICLE: BIANCA VILLAROSA

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