From the organisers of Fashion Weekend Sydney, where over 13,000 Sydneysiders
shopped up a storm and splurged on the hottest looks for winter, came Fashion
Weekend Summer.

Featuring more designers than ever before, Fashion Weekend
Summer took place at the Royal Hall of Industries from 12-15 November, and was a
definite fashion go-to for those in the know when it comes to summer fashion.
This ultimate summer fashion event gave fashion diehards the chance to get
their hands on stylish pieces from over 120 designers at fabulously reduced prices.

Saving up to 70% from designers such as Alice McCall, Bec & Bridge, Fleur Wood,
Hussy, Ginger & Smart, Manning Cartell and Shakuhachi there were
sizzling summer bargains.

Spring/Summer Fashion weekend was also a great spot to be updated on the latest fashion trends that came straight from the catwalks.

As well as the fabulous shopping, fashionistas could be primped and preened with
beauty makeovers, hair styling by ghd, and manicures by essie.

The Fashion Weekend Summer featured three different shows on rotation including beachwear, daywear and gorgeous evening frocks to inspire the looks for the long hot summer ahead.

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MAC Cosmetics, one of the most recognisable brands in the world proved the complete versatility of the MAC Pro make up artists and the brand alike with amazing creativity at Spring Summer fashion weeks 2010 across the globe, allowing the highly regarded make up artists display their art work in all its glory and perfection. With 15 years of fashion shows under their belt, MAC is still the number one choice for make up artists, designers and everyday girls alike.

The 90s nude look was prominent this year, with a twist; a bare face was awakened with a dramatic or bright feature, be it lips, eyes or structured cheeks. Often seen as fairly boring on the cat walk, this year it brought out the magnificent beauty of the female face and had a newly naughties take, 90s nude with a silver lining.

“The inspiration for the look is Murano glass – multi-coloured but in a painterly way.” – Val Garland
September 19th, at the Mary Katrantzou’s show in London, Val Garland, a VOGUE favourite, made the models up to perfection. Val has worked some of the most creative trends including clown masks and autumn leaves around the eyes, Vals trademark perfect skin and big lashes are where she excels time and time again and once again delivered.
Val could not have described her look for the show any better. With a flawless face as the canvas, Val painted, as if by numbers, the eyes, with three blocks of colour and then painted a zig zag line under the lower lash. If possible; Val offers understated drama at its best.

Next up on the 19th September was artist Mel Arter for designer Mark Fast, one of my personal favourites, this look was described by Mel as “She’s a girl that’s escaped into the desert – a bit dishevelled, weather beaten but in a beautiful way.”
I could not agree more, this look is what the everyday girl would carry on a typical Sunday afternoon down at the beach…wearable and beautiful.

“The skin looks like it had ash explode onto it. We are building fine
layers of grey. It’s like a moth’s wing – delicate and deadly.” – Alex Box
On the first day of Paris Fashion Week, make up artist Alex Box, known for her unconventional approach to make up and ability to transform the face into something fantastical used every shade of grey to dramatically change the models whole face and persona. A truly perfectly, dramatic way to start Paris.

“Keeping the make up quite bare, the emphasis is placed on
pearly skin texture and nude features. I wanted the balance
created by the understated makeup and over-the-top face
accessory to have a futuristic fel.” – Kabuki
October 2nd saw another favourite look; designer Manish Aroras show was accessorized by Kabuki’s exquisite creativity on the faces of the models. In true Kabuki fashion- pushing the boundaries- he experimented with sparkling masks painted onto the models foreheads and eyes contrasted with pearly, flawless skin. Kabuki most certainly outdid himself with this look which screamed disco 2010.

“The look is fresh and natural, working each element of the face .” -
Tom Pecheux
Next was the ever sophisticated Balmain, with the most delightful French artist, Tom Pecheux. He is always classic yet incredibly up to date, he wants to make an impact with out being obvious….at Balmain this year he achieved perfection. The girls looked like they did not have a scrape of make up on, here we saw natural beauty at its best and Tom made the most of every feature on the models face. The girls sparkled without blinding the front row.

There were so many other shows that deserve a mention, Gordon Espinet for Vivienne Westwood Red Label with the ominous yet sexy tones, Lucia Pica for House of Holland with the typical 90s nude look and neon lips, Inge Grognard for Rich Owens displaying beautiful faces, using the incredibly talented photographer, the late Irving Penn for inspiration, the list goes on. MAC Pro have some of the best make up artists in the world and as per usual they went above and beyond at this years Spring Summer 2010 showing they are more than a make up artist, they are true artists in a league alongside Picasso and Da Vinci and they just get better and better every season.

BLK1 Article: LUCIANA LONGO

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Australia’s most well known fashion designer, Collette Dinnigan, showcased her Printemps Ete 2010 collection at Paris Fashion Week earlier this month, choosing the beautiful and exclusive Hotel Meurice to unveil her gorgeous selection of dresses to the public.

Dinnigan was thrilled with the appropriate backdrop. “Salle Napoleon at the Meurice is a perfect setting and backdrop for my Alice collection,” the designer said, with the whimsical turn of the century hotel complimenting a range that “echoes a fantasy spirit.

The 2010 Alice collection is a delightful wonderland of contrasts. Dinnigan devotes half of her collection to every woman’s best friend, the versatile and very flattering little black dress, while the second half introduces a kaleidoscopic selection of bohemian mini and maxi dresses.

The little black dress (as well as the maxi black dress) receives a striking make over in this stunning line. Collette Dinnigan’s wardrobe staple is a tailored, sophisticated and demurely sexy piece that drapes smoothly over the body, creating a flattering effect. They’re modest (like the lace appliquéd shift dress) or sexy (like the very low cut, glittering tutu style mini), and totally fabulous.

Collette Dinnigan’s eye catching boho pieces were easily the best thing about this collection, with the designer producing high class beach chic with ease. Tiny dresses in pretty pastels are designed to be worn over bikinis at the beach, while her theatrical, ruffled maxi dresses in amazing acid tribal prints are perfect for effortless cocktail hour cool. Sheer fabrics and bare shoulders add the sexy sizzle necessary for a hot summer.

This assembly of bold and beautiful dresses makes a refreshing change from the floaty gowns and barely there slip dresses that made the designer famous. The Alice collection is evidence of the designer’s innovation and design versatility.

Not that we really needed convincing. Since releasing her first collection in Paris in 1995, Collette Dinnigan is still the only Australian to show on the Chambre Syndicale du Pret-a-Porter Des Couturiers et Createurs de Mode schedule. “As the only Australian designer on calendar, it is very important for me to represent Australia and continue to show our collection to the global market,” Dinnigan says.

And that she does. By combining classic design with interesting embellishments and just a hint of sex appeal, Collette Dinnigan’s 2010 Alice collection is a daring fusion of modernity and femininity.

BLK1 Article: CARLY OGBOURNE 

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The London Showrooms offers a unique experience for emerging British fashion designers to broadcast their collections to the International market. The Showrooms occupy the first week of October and are located in arguably London’s biggest rival in the fashion Industry, Paris. The event is a strategic way for the British Fashion Council to experiment with and support the rookie designers and maintain the worldwide trade stronghold.

After the recent successes of The London Fashion Week spring/summer ‘10 in September, The London showrooms is the next big event in the British fashion calender.

Whilst the Fashion Week displays the latest masterpieces of the royalty of British fashion, the Showrooms allows an opportunity to witness up and coming designers trying to break into the tough field of fashion design. It is these designers at the Showrooms who will someday hope to earn the right to display their works at the Fashion Week. These designers are the future of British Fashion.

The British Fashion Council, a non-profit trade group for British designers, established the London Showrooms out of a necessity to continue the popularity and prosperity of the biggest names in British fashion design. Designers such as House of Holland and Todd Lynn will one day, with the support of the fashion council, maintain and uphold the high standards set by Britain’s present design aristocracy.

The likes of Vivienne Westwood and Burberry of course spring to mind after another set of outstanding collections at the Fashion Week last month.

House of Holland, by designer Henry Holland, is an interesting new talent on the scene. As well as being a close friend to model Agyness Deyn, Holland has gained exposure from his collection of 80’s, bold print T-shirts incorporating festive, rhyming catchphrases, such as ‘Get your freak on, Giles Deacon’ and ‘I’ll tell you who’s boss, Kate Moss’.

House of Holland’s collection for the spring/summer season presents a combination of his boho designs with aspects of punk intertwined with a modern sophistication and preppy nature. This collaboration is striking and alluring and has already gained the designer an exclusive and unique style.

One example of this collection is the definitive male preppy look (tight formal shorts and shirt with sweater tied loosely around the neck) updated with vibrant colour and daringly short, upturned sleeves. Another example of the provocative collection is the seemingly standard business-woman outfit (tight skirt with well fitted, double breasted blazer) in a warm natural tone complete with a contrasting, uneven polka-square design. The thin lapels and pulled up sleeves again express Holland’s affinity with the 80’s era.

The latest collection by Canadian-born designer Erdem showcased an appreciation for the chic and hippy look. His summery dresses and playsuits, both formal and informal, are assembled with very detailed floral prints. The enchanting designs paired up with the seductive shapes and silhouettes give Erdem a sophisticated and flirtatious style, perfect for the sunny seasons.

The latest collection from designer Todd Lynn differs a great deal from the previous designers somewhat. His designs for woman express a fearless nature with a heart for rock’n'roll. There is also a strong feeling of heavenly and otherworldly inspirations.

His use of plain colours; whites and blacks, with extra detailing in both make up and clothing design suggests a blending of pure and unpure, good and evil or angelic vs demonic. One particular striking design is the tight silhouetted white suit with robe-like tight sarong around the waist, reminiscent of a toga, coupled with devilish, black horned shoulder pads and over exaggerated black eye shadow. Again, a very unique style has been formed here.

The main aim of the London Showrooms is to offer international audiences a chance to view the latest collections by up and coming designers from Britain and to strengthen trade and commerce between countries. The British Fashion Council seek to tutor the trainee designers and offer them as much aid as possible to break through into the evermore challenging field of fashion design.

However, most importantly for all concerned, the London Showrooms is a way of making a statement to the international market that Britain holds the highest competition and is seeking challengers.

BLK1 Article: JULIAN CHAUNDY

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Straight from the heart of Sydney Australian Designer Suzie Rose Vella accepted the invitation to launch Pizzuto Spring Summer 2010 on the catwalks of Nolcha Fashion Week NYC, an amazing Platform for Designers to introduce their collection to the American Market.

28 year old designer Suzie Rose of Pizzuto has a unique fresh collection to offer, Compiling vibrant hand painted silks and has a passion for injecting feline prints, contrasting fabric textures and interpreting drape couture into ready to wear is Suzie Rose Vella’s signature style.

This collection is aimed to attract the attention of boutique buyers with an eye for attention to detail, cut, and quality retail-able price effective pieces.

The concept behind Suzie Rose Vella’s Designs for the White sands collection is drawn by inspiration from Australian iconic Beaches such as White Haven, Bay of Fires, Bondi and Manly, she has developed styles that reflect the flirtiness and fun of the 50’s whilst still maintaining a strong feminine edge.

The tonal aspect, loose free falling cuts combined with geometric edges and the use of natural fabric choices like silks, cottons and linens reflect the vibrant and earthy envision Suzie Rose anticipated for when designing the white sands collection, Pizzuto’s Spring Summer collection for 2010 is vibrant, crisp and fresh .

This carefully structured collection is a color palette made up of earth tones, highlighted with chartreuse and Indigo Blue, refreshed by whites and bright coloration.

The White sands Collection reflects Suzie’s true love for the Fashion industry through each of her signature designs

Suzie Rose Vella has successfully been operating in the industry for eleven years. As demand for the label grows, her desire now is to export Pizzuto internationally.

Pizzuto Operates from a beautiful Showroom in Sydney’s CBD, Surry hills (Sydney’s renowned wholesale district.)

Pizzuto Supplies to over 300 boutiques Australia wide, New Zealand and Indonesia.

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These catwalk shows formed the highlights of the 25th Annual Cibeles Madrid Fashion Week.

The first colourful display was from Juanjo Oliver, and was presented on day three. Juanjo Oliver’s collection had an 80s feel and featured metallics and tribal patterns, along with full balloon skirted minidresses in Hawaiian summer fabrics. Most outstanding was a jungle green silk satin one shouldered maxi dress so expertly designed to give the illusion of a loose garment yet it was extremely feminine and did not engulf the model, as so many maxi dresses do. The collection was bright, fun and very feminine with mini dresses, elegant evening maxis and fabric additions much like capes to add texture and a gemotric edge.

Amaya Arzuaga followed Juanjo Oliver and could be called the most innovative collection of the week by far. Arzuaga used mostly chiffon and light silks in greys, black and fluro pink and had crimped and manipulated the fabric, giving the same effect as a home made fan made from paper. Each look was incredibly inspired and unique mostly due to the use of this texturing technique. Other features included sheer fabrics, additive pieces of textured fabrics to minidresses, skirts and eveningwear. A number of the skirts employed the use of light, malleable wire in the skirt to achieve a unique waved hemline, similar to some of the rave clothing found in londons Camden market. The elegance achieved while adopting a completely unique style definitely made this collection the most exceptional of the week.

Lemoniez was a mature, compelling, and elegant collection with a nineties edge that was displayed on day four. Immediately the first look embodied the feel of the collection, with a similar style to the much loved beige and white dress worn by Julia Roberts at the polo match in Pretty Woman-shoulder padded, knee length with an understated elegance. An indigo grecian maxi evening dress of midweight silk, cinched with a thin black waist belt with a plunging neck line was the key defining look of Lemoniez this year. Key trends included shoulder pads, which made a comeback last year, along with the subdued colours of beige, browns, and a range of purples from aubergine to indigo.

The popular designer, Ana Locking, did not disappoint, presenting a diverse collection that was fun, colourful and playful yet mature. Featuring Hawaiian prints, raw silks and leathers the clothes were wearable but not dull.  A mens leather jacket with slightly puffed sleeves and elbow detail was an outstanding piece of the collection.

“No need to pretend, just be”-the words chosen by Alma Aguilar to embody the Bollywood inspired collection. An incredibly ornate backdrop transported the attendees to an Indian mansion, yet the clothing maintained a Spanish feel using bright colours and frill detailing. Floaty chiffons and silks gave the collection an incredibly feminine feel, with the short summer dresses with full chiffon skirts being the most wearable and remarkable pieces of the collection. The laid back and bohemian feel along with the striking Bollywood accessories and of course beautiful clothes made this one of the most endearing shows of the week.

Elio Bernhayer is known as one of the great masters of Spanish fashion, this year marked Bernhayers 80th birthday, celebrated with an emotional tribute at the conclusion of the show. Section one features the summer collection featuring fresh, timeless nautical pieces in both men and womens clothing. The tribute features more than ten famous Spanish ex models, who each took to the catwalk in stunning Bernhayer evening gowns. The emotional designer joined the models at the end of the tribute to a resounding applause, showing just how loved and respected this great master is in both the world of fashion, and Spanish culture.

Sita Murt displayed a high Energy, super glam, eye catching and exciting on a gold and mirrored striped runway. Channeling a “super feminine” look, the models were finally allowed to have their hair down in loose sexy waves, with a subtle but bright smoky eye, mirroring the model look of Dolce & Gabbana shows. Sheer fabrics, metallics, white feathers and very girlie styles were in most looks. Sheer light blue harem pants with an embroidered waist band were the most innovative look, however the most eye catching was the gold and white knit minidress which made even the most sullen model look girlie, sexy, and ready to party.

Jesus del Pozo was undoubtedly the most elegant of the collections embodying class, beauty and feminity, it is little wonder that the elegant Princess Elena of Spain was in attendance. The Princess was incredibly personable and endearing, as were the clothes. Black, cream and grey chiffons dominated the collection embellished with zips and silk chiffon additive pieces of fabric such as capes and short trains. Although the bright colours which dominate the Spanish spring/summer collections were absent, the subdued tones added to the elegance of the tailoring and craftsmanship of the pieces. The event was off site in a beautiful uptown bar, and concluded with traditional Spanish hors d’ouvres and wine, not that the incredible clothes were not sufficient to satisfy the attendees.

These designers, and every designer at Cibeles Madrid Fashion Week had a single concept in common throughout their collections: although they all had different inspirations and design ideas, they all embodied the vibrance and warmth of Madrid in every stich of their collections.

BLK1 Article: CAITLIN REID

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Electric, elegant, professional, exciting, extravagant and entertaining. That’s Cibeles Madrid Fashion Week 2009.

Celebrating its 25th birthday in style, Spain’s cosmopolitan capital showcased over 56 collections from Spain’s leading designers, along with another thirty young independent designers on the retail floor.
The vibrant city of Madrid served as a very entertaining host for the event. Projecting a palpable happiness, the city caters to everyone’s tastes in art, nightlife, fashion and culture.

Food, a hugely important part of Spanish life, is incredibly tasty and diverse, from seafood paella to squid ink rice and ox tongue, all of it with a unique flavor and unparalleled freshness. Bars catering for piano bar lovers to niche cocktail bars are widespread and found on every street corner in the city centre, beware though, bars generally don’t serve wine, only spirits, so enjoy your wine at the restaurant with your meal before heading to the nearest bar.

Notably during the event was La noche en blanco (white night) the annual all night arts festival, which saw the incredible museums and galleries including the Prado open until 7am with free admission for all, along with the metro running special late night services until 3am. Thousands of people crowding the streets on this night definitely enhanced the buzz of all those who had been observing the fashions and attending the fashion week’s Grey Goose Bar (known as the kissing room) throughout the day.

Fashion wise, the electric city has an eclectic mix of suburbs targeting all audiences. The gay district, Chueca houses at least one hundred of the most diverse and beautiful shoe stores, the stunningly well made leather boots were the only hint of the impending winter. Trendy young locals generally channel an urban chic style, favouring blazers, skinny jeans and bright colours.

backless dress presented by Sita Murt

coral and peacock blues presented by Alma Aguilar

Madrid fashion weeks key trends included some new ideas for spring
summer, along with adaptions to old hot season favourites.
1.tailored shorts:both ministyles and above knee
2.high waisted shorts, pants and skirts
3.Modified harem pants-old style riding jodphur silhouette (wide at
the hipe, then stove pipe from above knee to the ankle)
4.Raw silk – used for many tailored short styles
5.One shouldered dresses and tops
6.Additions to clothes-architectural additions seen throughout the
Juanjo Oliver show
7.maxi dresses-both formal and casual
8.Blazers- made from all fabrics, commonly thai silk or leather
9.Capes – additions spanning from the upper shoulder to the waist or
to the wrist. seen in Miriam Ocariz and Alma Aguilar among others
10.High waisted tailored pants with pleated fronts
11.backless dresses and tops
12.Strapless dresses – long and short – with a tight corsetted top
half and a floaty organza or silk skirt
13.leather – skirts and jackets
14.zips – used as decoration to enhance the lines of the garments.-
Seen in the Jesus Del pozo show

raw silk presented by Ana Locking

Colour Trends;
-Coral
-Jungle/vibrant green
-very pale pastel aqua
-bright peacock blue
-black and white
-bright jewel coloured purple

Madrid’s vibrance, love of fashion and style conscious population augmented the already overall innovative and electric collections of the week.

BLK1 Article: CAITLIN REID

Article: © BLK1 2008-2009. All Rights Reserved.

The home of London Fashion Week

Somerset House was selected as the location to commemorate 25 years of Britsh fashion, replacing the equally impressive but rather exhausted Natural History Museum. Once a records building used by the British Government to store countless data, Somerset House is a magnificent, neo-classical structure sitting provocatively on Elizabeth Embankment facing southwards across the river amidst equally impressive and iconic architecture, both contemporary and modern, such as Big Ben and the unmismistakable, oversized, revolving London Eye. The strong columns supporting the commanding structure of Somerset House, not dissimilar to those on the Parthanon, echo the idea of Britain: the impenetrable fortress.

The London fashion week preceeds Milan and follows New York and is as highly an anticipated event worldwide as the Oscars. It offers the world a chance to witness the latest British designers trying to break into the evermore competitive field of fashion design and allows an alluring possibility of witnessing the latest collections of British fashion royalty such as Vivienne Westwood and Burberry. Britain’s adversaries to the likes of DKNY and Versace.

Matthew Williamson gave a great deal of credit to artist Jim Lambie for inspiring him to go for graphic abstract patterns on synthetic material. His collection for the spring/summer ‘10 range retained his bohemian and hippy image which has won him many plaudits in the past. However, this time he was able to infuse a greater deal of elegance with heavier detail on body conscious sillohuettes. This was most notable in his navy blue/black trouser suit which was seen as a must have piece by legendary British model Twiggy.

Similar to Williamson, Vivienne Westwood took inspiration from art, though her motivation stemmed from religious art as opposed to the abstract creations of Lambie. Westwood is well known for her sympathy with the bohemian and punk era of 80s Britain. Her shows always display her boldness and provocative nature and this seasons Fashion Week was no exception. Westwood included a form of the trouser suit in her red label collection as well. The pink outfit was fitted tightly around the torso with a loose, boot cut fit for the trousers. A plain grey t-shirt advertising the designer’s name was worn under the suit to contrast with the formality.

Little hints of excentricity or a touch of the retro was a recurring theme throughout the Vivienne Westwood show. Another prime example of this was the pairing of a custom fit navy striped blazer accompanying a sarong style red polkadot skirt. Polkadot was exploited by the designer several more times, including a summery short blue dress modelled by Daisy Lowe,whose unconventional ’stomping’ catwalk style, won that particular fashionista yet more headlines. However, the show’s focal point would have to be the the short, grunge style shiny dress sported by a gamin-like model smoking a cigarette. The rebellious decision to break the legislated smoking ban will become as acclaimed as her designs for the Sex Pistols or her constantly voiced decision to go knicker-less to events.

Away from the catwalk shows, Somerset House was seperated into blocks, each housing different exhibtions from designers. Here, it was possible to converse first hand with some of the smaller scale designers and question the meassages and meanings behind their collections. Due to them not being the centre of attention and having to compete for exposure with the rest, designers went to huge lengths to broadcast their label. Everything from free champagne to live DJ sets by artists such as Massive Attack.

Very popular amongst the press, Alexandra Soveral, an organic aromatherapy beautician, offered an opportunity for willing volunteers to create their own perfume from the large collection of essential oils on offer, with a chance of winning £1000 worth of perfume. Soveral was impressed by the hundreds of interested participants choosing to compete.

Gabrielle Mille designs for Oxfam

Oxfam’s exhibition was also deemed original and popular, with their imaginative scheme to design new outfits from the old clothing donated to the many stores worldwide. Such an inventive approach to fashion design should surely pay off due to the idea that fashion is cyclic and that out of date attire will get another chance somewhere down the line, albeit with a helpful modernising boost. In strong contrast to this, Liberty of London used the iconic status of Legendary musician Ronnie Wood, along with his creative artistry, to concoct a unique and stunning collection of clothing and accesories. The evocative signature line was brimming in vibrant colours and patterns set on plain, dark material. Again, another impressive exhibit.

It was clear to see from the many exhibtions exactly which trends were “in” at present. The use of foil and sequins on the scarfs and shawls designed by Jane Carr ( cotton for the more everday look, with satin representing a higher degree of formality), were partnered with cascading designs to form the “decay of decadence”. The use of sequins was continued in the collection of accesories designer, Angel Jackson. However, most attention was drawn by the electric and irredescent colours sprayed onto the feathers adorning the large collection of bags. A large sculpture of a black panther, the label’s distinctive logo, adorned with a feather bag atop its head like a fabulous headpiece was a clever prop and another successful attempt to draw attention. The feathers were locally collected and treated in Bali, where the accesories are fabricated, reassuringly, away from the sweatshops. These avian influenced bags have proved popular among British fashionistas from Alexa Chung to Pixie Geldof.

The feather was symbolically used by surfboard designers Swami’s. Their collection of boards, surfing paraphenalia and apparel delved deeply into hidden meanings from the designers personal experience. The delicate feathers inprinted on the boards typified the fragility of the surfer whilst riding a wave. The plumage used, had connotations of American Indian headress. Continuing their idea of otherworldliness, the designers incorporated delicate cloth under the fiberglass of the board which was linked to the image of buddist monks at the foothills of the himalayas.

Heading back to the catwalk, it would be Burberry who would finish off this year’s London Fashion Week. A recent resurgence has seen Burberry regain its place high up on the podium of definitive British fashion. A magnificent turn out for the event included a large proportion of celebrities both British and international. The new face of Burberry, Emma Watson, was joined by Liv Tyler, Victoria Beckham and Mary-Kate Olsen. Beckham, the singer turned devotee to high fashion declared that in her eyes “Burberry is the epytomy of British fashion”.

What was evident from the collection for Burberry Prorsum was that designer Christopher Bailey had been looking to offer the audience a true interpretation of the brand, but with subtle twists. The heritage was certainly maintained. The iconic cheque pattern was present in the show along with the trench coats. However, the compilation of clothing was also caressed with gentle touches of modernity, youthfulness and elements of sexiness as well, to update and continue the renaissance. Fine examples of this included an all-in-one short and fitted beige trench coat fused with a frilly dress, offering a greater proportion of exposure to the limbs and accentuating the figure. This followed a similarly styled trench, this time less summery and more formal in shape. The texture appears soft and satin like with a shiny pastel fusia for colour. The outfit has a longer finish than the other, closer to the knee and is structured with a broader definition on the shoulder, due to exaggerated padding – a popular trend at present.

The London fashion Week gives a taster of what’s to be expected in all high street stores for next year’s spring and summer. It also helps to offer assurance and belief that the added layers forced on by cooler days will not last forever and that all too soon, the festival season will be upon us again. The fashion week portrays an a creative combination of culture and sophistication balanced out with youthful modernity.It exposes a fusion of class and protention with retro bohemianism. However, the underlining duty of the prestigious event is to assure all that British fashion is here to stay.

BLK1 Article: JULIAN CHAUNDY

Article: © BLK1 2008-2009. All Rights Reserved.

After

The scene was set , and the theme of travel was established for Mercedes-Benz New York Fashion Week the catwalks began doling out slices of fashion splendour.

BCBGMAXAZRIA was the first key highlight on day one at Mercedez-Benz New York Fashion Week. Flowing fabrics and summery colours were seen to be the mode of this collection. Celbrities who showed-up to see this catwalk display included: Alicia Sacramone, Amanda Bynes, Amanda Hearst, Amerie, Carly Chiakin, Derek Blasberg, Fabiola Beracasa, Gal Gadot, Genevieve Jones, Joanna Garcia, Solange Knowles, Theodora Richards and Tiffany Thorton.

Duckie Brown showed the crowd his unique range of menswear. The pastel colours were cute and the suit jackets were finely cut; when the two were combined they created a look that will be donned by all fashionable young gents this summer.

After the sun went down on day one of Mercedez-Benz New York Fashion week, the temperater hotted up with a sizzling swimwear display from Rosa Cha. In the collection, white polkadot high-waists and yellow one pieces were seen prancing down the catwalk. The looks stayed-true to the popular swimwear trends for 2009: flattering shapes, high-cut bottoms and shapely tops. The coloured fabric was the star of the Rosa Cha catwalk show, the way red and yellow sat together to clash across a one-piece made for a stunning look.

Friday September 11th was day-two of Mercedez-Benz New York Fashion Week. Ever since the tragedy of 2001, the words “September 11” have solemn connotations. Mercedez-Benz New York Fashion Week paid respects to this day by teaming up with My Good Deed, a prominent nonprofit group created by 9/11 family members and friends of 9/11 victims for the first-ever online auction to support this cause. The online charity auction featured Spring 2010 collection items donated from many top designers including Donna Karan, Tracy Reese, Carmen Marc Valvo, Max Azria, Phillip Lim, James Coviello, Milly, Vivenne Tam, and Tommy Hilfiger.

On the catwalks of day two, Charlotte Ronson delivered soft and flowing fabrics with a whimsical Spring vibe. Ronsons collection would be perfect picnic wear, as it is just the right mix of feminine softness and playsuit practicality.

Nicole Miller was the hit of the day on day two, attracting celebrities like: Lady Gaga, Kara DioGuardi, Amber Rose & Kayne West, Ciara, Amerie, Damon Dash, Katrina Bowden, Beth Ostrosky and Sarah Wynter. As usual, Nicole Miller delivered sexy designs with an out-there edge. Metalics flooded the catwalk and sequins shone. The vibe of the show, like the designs was short, sharp and sassy.

On Saturday September 12th it was day three of Mercedes-Benz New York Fashion Week.

With Katy Perry seated in the front row, Georges Chakra delivered his to-die-for ball gowns down the catwalk. Fiery reds and mystical blues were the star colours, giving every model on the catwalk a look of feminine fierceness.

Chado Ralph Rucci was also all about being bold with fashion. The dresses that were on parade were splendid in colour and up-lifing in their flappy cuts.

On Sunday September 13th, Mercedes-Benz New York Fashion Week had already been through its first half. Day four, like all the other days so far, managed to keep up the frantic and exciting fashion-week vibe.

DKNY hosted a highly-exclusive off-site launch of the collection for Spring/Summer 2010. Keeping it classic and feminine with cinched waists and bold colours, this already iconic label kept every audience member impressed.

Along The Promenade Hervé Léger by Max Azria marched his models down the catwalk to show his bold Spring/Summer 2010 collection. Hervé Léger by Max Azria is famed for accessories, and while there was some fantastic feature pieces paraded the sleek dresses stole the show.

Diane Von Furstenberg also held a catwalk parade in the Tent, with collections so beautiful they could almost be described as balletic. Every model was adorned with a dress that moved with her body so gracefully, it appeared that she was floating down the catwalk rather than walking.

Monday 14th September was day five of Mercedes-Benz New York Fashion Week.

Jill Stuart filled the stone halls of the New York Public Library with her soft flowing designs that were deliciously feminine.

Donna Karen also hosted another off-site unveiling today, again keeping true to her conservative yet boldly-coloured designs.

Back at the Tent, Gottex demonstrated how new excitement can be found in swimwear. Bright blue flames danced up the bodice of one-shouldered one piece swimwear. Following the blue, red sizzled with streaks of colourful detail along more well-fitted one pieces. There was always the addition of ever-popular black and white, only these swimwear pieces were an exciting hybrid of the traditional, conservative one-piece and the daring mono-kini.

Day six, which was Tuesday 15th September saw celebrities such as Paula Abdul, Kim Kardashian, Shenae Grimes, Kelly Rowland and Bethenny Frankel flood into the tent to see the Spring/Summer 2010 offerings from Badgley Mischka. White was the dominant colour with streaks of tribal detail feathered along the collars and hems of the dresses.

Dennis Basso also brought out some old Hollywood scensters. The golds, rainbows and red poppies were the perfect prints to show off the clear mode that was set through the show: the puffy skirt. Joan Rivers, Lorraine Bracco, Beverly Johnson, Fran Drescher, Carole Alt, Tinsley Mortimer, Kelly Bensimone and Alina Cho were all delighted with what they saw.

Narciso Rodriguez, the star designer of Mercedes-Benz New York Fashion Week also showed his wares on day six. Square defined shoulders and colours to flatter the natural female features seemed to be the motif of what Narciso Rodriguez had to show the catwalk crowd.

The second last day of Mercedes-Benz New York Fashion Week came to be on Wednesday September 16th.

Michelle Smith delighted tired crowds with her chic combinations of complimentary colours dotted on skirt and top combos.

Alexandre Herchcovitch graced the catwalks with delicate simplicity. Showing delicate white pieces aside more bolder cuts and metallic features.

Anna Sui’s Spring/Summer 2010 collection was, if not the most exciting, the most eclectic display seen at Merecedes-Benz New York Fashion Week so far. With massive shoulder pieces, panels of sequins and peacock patturned skirts the designs were all amazingly quirky and daring.

The final day of Mercedes-Benz New York Fashion Week was farewelled on Thursday September 17th.

Ralph Lauren had fashion crowds up bright and early for a 9am off site show. The designs seen here remained faithful to the sporty style and classic colours that this designer is famed for.

At the end of the final day, the final show was presented by Tommy Hilfiger. The figure hugging evening dresses appeared to be investment pieces that will never date. The colours were plain, elegant and would look perfect on a summer afternnon.

After Hilfiger’s 8pm show, the crowds demininshed and moved on the after-party celebrations all feeling inspired by what they had seen from the Spring/Summer 2010 catwalks at Mercedes-Benz New York Fashion Week.

Article: © BLK1 2008-2009. All Rights Reserved.

Mercedes-Benz Fashion Week packs the Tents at Bryant Park with over 60 designers, who will showcase their 2010 Spring Collections from September 10-17, 2009. The iconic tents at Bryant Park are metaphorically packed too, as this season’s trunk and travel theme highlights the future move of Mercedes-Benz Fashion Week to Lincoln Center and its integral role in the world-wide fashion industry.

Mercedes-Benz, title sponsor of the preeminent fashion event that draws international attention and over 100,000 visitors, features established designers including Yigal Azrouel, Chado Ralph Rucci, Badgley Mischka, Diane Von Furstenberg, 3.1 phillip lim, Michael Kors, Tommy Hilfiger and this season’s Mercedes-Benz Presents Designer, Narciso Rodriguez, who will debuted his Spring 2010 Collection on September 15.

The Bryant Park Tent lobby is the focus for showcasing the interplay between fashion and this season’s travel theme. A retrospective exhibit depicts iconic Mercedes-Benz vehicles and fashion trends from the 1940’s through 2010 that is curated by Dayle Haddon and Narciso Rodriguez, who hand-picked wardrobe samples from his past collections over two decades.

A nostalgic display pays homage to the nine generations of the E-class and the evolution of travel by automobile. Vintage luggage pieces by Karl Baisch for the 1954 Mercedes-Benz 220 Coupe, along with luxury contemporary bespoke luggage from Globetrotter and Gucci, are the centerpieces of a September 10th Trunk Show co-presented by Saks Fifth Avenue. Throughout the entire week, guests can view the bespoke luggage and send e-postcards from an interactive screen at the display.

Mercedes-Benz E-Class vehicles take center stage at Bryant Park including the 2010 E350 coupe currently in dealerships and the E63 AMG available this fall. This season, Mercedes-Benz premieres its 2010 E-Class vehicles with the E63 AMG sedan and the E350 Coupe. The ninth generation E-Class captures timeless style and sophistication. Trapezoidal shaped headlamps create a bold, avant-garde face while a muscular body is defined by several convex surfaces and taut lines including one that follows each rear wheelwell to shape the contours of the rear fenders that are reminiscent of the famous 1953 “Ponton Mercedes.” The E350 Coupe on display at Mercedes-Benz Fashion Week is a special Olivine Grey launch color, a unique and proprietary combination of olive green and grey.

Article: © BLK1 2008-2009. All Rights Reserved.

2009 is the eleventh year that the Perth Fashion Festival has run. This year, designers such as Ruth Tarvydas, Morrison and Wheels & Dollbaby.

Events included Luxe Swap My Style parties, Style Oasis fashion spaces and Popsicle On Wheels, alongside Unwrapped fashion markets.

The people of Perth were lucky enough to experience mini-manicures, shoe-shines and cupcakes and a bus transformed in to a giant wardrobe as a part of these events.

Western Australian designers had a purpose built runway erected to show there wares.

The name given to this was the Fashion Paramount, appropriately named because along with the fancy events giving VIP treatments for all, the styles displayed on the catwalk showed that Perth was able to deliver all that is expected in a glitzy fashion week.

Photographer: STEFAN GOSATTI

BLK1 Article: © BLK1 IMAGES: STEFAN GOSATTI 2008-2009. All Rights Reserved.

In a chandelier lit basement, tucked away from the blowing winds whistling through Melbourne on Saturday night, a diverse crowd gathered to get a peek at the latest collections from a selection of Asian and Australian designers.

Astro Turf lined the runway and thumping electro music saturated the room as the champagne flowed and anticipation heightened.

With Notre Dame De Paris, Soho Workshop, Thrill and Stand showcasing, the collections were sure to show a diverse range from casual street wear, cocktail and formal attire.

To celebrate Melbourne’s multiculturalism the show began with a traditional costume display. Indonesia, China, Japan, Malaysia and Vietnam were featured. A highlight being the Japanese costume of detailed silk kimonos, and Chinese Cheongsam dresses in bright spring palettes.

Notre Dame De Paris delivered feminine dresses, staying true to its desire to transcend the classiness of society. Detailed lace bodices and flowing skirts, plunging necklines and waists cinched with bow details. Flowing evening gowns in bright spring shades of cobalt blue and peach were given extra sparkle with diamante brooches and shimmers of sequins. Zebra print satins interspersed with metallic blues and woody brown chiffons.

The tailored suits that Soho Workshop are renowned for were shook up with black velvet blazers, gingham check shirts and leather hooded jackets. Slim-cut suits in grey pinstripe, and tuxedos worn with determination added to the casually corporate collection.

Hemlines were raised with Thrill’s collection, where focus was all about the pins. Tight fitting mini dresses with striped busts, off the shoulder sequin encrusted dresses and shirtdresses that skimmed the upper thigh. Slim fit Jeans were paired with lace tops and tailored vests.

Perth designer Stand stood tall with its street wear focus with a collection of graphic t-shirts in pastel colors along with tailored shirts.

Fashion was not the only thing on the agenda for the night, with a touch of hip hop thrown into the mix with a show by MUTE dance group. The energy was a perfect match to the collections and sealed the deal that Melbourne fashion week is the leader of the pack.

BLK1 Article: CAMILLA CLARK

Images and Article: © BLK1 2008-2009. All Rights Reserved.